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For the upcoming show I helped curate:
http://www.bakerartistawards.org/blog/2011/09/goucher-college-september-baker-exhibitions/
At the start of July, I began working as Assistant Curator at the Silber Art Gallery, Goucher College. The curator, Laura Amussen, gave me a tremendous opportunity to organize and curate a satellite exhibition for the Baker Artists Awards this year. in three days with amazing support from two very talented MICA interns, Travis Levasseur and Sage Denver, we pulled it together.
This is OBSCURITIES, my first shot at true curatorial work. United by their passion for abstraction, this selection of Baker Artist Award nominees coalesce to create a show devoted to their departure from form, place, communication, and identity.
"Obscurities" will be presented in Goucher College’s Silber and Rosenberg Art Galleries from August 30th through October 16th, 2011. This exhibit, which is free and open to the public, can be viewed Tuesday through Sunday from 11a.m. to 4 p.m. An artist’s reception will be held Thursday, September 22nd, 2011 from 6 to 8 p.m. in the Silber and Rosenberg Art Galleries. Please visit www.goucher.edu/silber
Participating Artists:
Alexander Heilner, Andrew Lauman, Joanna Kopczyk, Justin Kelly, Kyle Freeman, Lauren Brick, Leslie Furlong, Michael Farley, Nate Larson & Marni Shindelman, Christopher Attenborough, Stewart Watson, Mark Eisendrath, Kelly Shaw, Karl Connolly, Michael Northrup, and Eric Dyer.
This is OBSCURITIES, my first shot at true curatorial work. United by their passion for abstraction, this selection of Baker Artist Award nominees coalesce to create a show devoted to their departure from form, place, communication, and identity.
click on images to view larger
"Obscurities" will be presented in Goucher College’s Silber and Rosenberg Art Galleries from August 30th through October 16th, 2011. This exhibit, which is free and open to the public, can be viewed Tuesday through Sunday from 11a.m. to 4 p.m. An artist’s reception will be held Thursday, September 22nd, 2011 from 6 to 8 p.m. in the Silber and Rosenberg Art Galleries. Please visit www.goucher.edu/silber
Participating Artists:
Alexander Heilner, Andrew Lauman, Joanna Kopczyk, Justin Kelly, Kyle Freeman, Lauren Brick, Leslie Furlong, Michael Farley, Nate Larson & Marni Shindelman, Christopher Attenborough, Stewart Watson, Mark Eisendrath, Kelly Shaw, Karl Connolly, Michael Northrup, and Eric Dyer.
Two of my pieces are in this show. It's definitely worth checking out... I want to buy a lot of the other work there. Very strong stuff.
click on the images for a larger version
Exhibit Dates
Wildland will be presented at Goucher College's Silber Art Gallery in the Athenaeum from June 28 to August 7, 2011. This exhibit, which is free and open to the public, can be viewed Tuesday through Sunday from 11 a.m. to 4 p.m.
Artist Reception
An artists' reception will be held in the Silber Gallery on Saturday, July 9, 2011 from 3 to 5 p.m. Please call 410-337-6477 for more information.
About the Exhibit
Wildland, a satellite exhibition in conjunction with Artscape, features the work of nine local artists: Ryan Browning, Travis Childers, Frank Day, Elizabeth Hoeckel, Savanna Leigh, Susan Main, Joshua Smith, Peter Stern, and Polly Townsend. While viewing submissions from the Baltimore Office of Promotion & the Arts and looking for an overall arching theme, I was struck by the large number of local artists whose work seemed to be derived from the landscape. Landscape, as a topic, has been around for centuries-Goucher College has even mounted a few shows around the theme. However, in this case I noticed a narrower or sub-theme of wilderness and outdoor recreation. Images of camper trailers nestled in the woods, wild animals, mountaineers, and people gathered together as if looking out over a scenic view mingled with more traditional nature imagery. Thus, each artist in Wildland draws inspiration from the great outdoors, inviting the viewer to explore the wilderness as seen through their eyes and experiences.
Laura Amussen, curator
1021 Dulaney Valley Road
Baltimore, MD 21204-2794
Taken from NPR's blog 13.7:
"To localize an object means simply to represent the movements that would be necessary to reach it." These words of the great French mathematician and physicist Henri Poincaré offer a bold statement of an idea that goes back to George Berkeley: the experience of space is grounded, finally, in our sense of our bodies, in our sense of our own degrees of freedom of movement.
Berkeley thought that touch was the spatial sense, for it was the movement sense. Vision without touch would deliver only flat pictures of the world around us.
In my work, I've been investigating the relationship people have to the places and space around them- this guy offers an interesting perspective. He proves that our connection with place does not rely on the visual landscape; place and space are much more tactile. Our sense of place develops not from the sight of a landscape, but from our physical interaction with that space.
This leads me to believe that my work needs to move toward installation and viewer participation.
The first piece of this series is a collaboration with fellow artist Jessica Scimpf, and will be shown at the City Arts Gallery for Artscape.
Lumber Party City Arts Gallery 440 East Oliver Street Opening July 9th
come lay on the lawn....
"To localize an object means simply to represent the movements that would be necessary to reach it." These words of the great French mathematician and physicist Henri Poincaré offer a bold statement of an idea that goes back to George Berkeley: the experience of space is grounded, finally, in our sense of our bodies, in our sense of our own degrees of freedom of movement.
Berkeley thought that touch was the spatial sense, for it was the movement sense. Vision without touch would deliver only flat pictures of the world around us.
I've graduated! It's been a long time since I've posted any sort of progress, so here's what I'm working on now. My work is shifting from sedimentary geology and into botany, still focused on the moveability of landscape and the impermanence of place. I believe that plants are an excellent way to communicate these concepts; Terrariums were first used to transport plants across the Atlantic to the New World. The plants are characteristics of place (ie flora and fauna), and the ability to make them transportable or wearable seems very surreal to me, much like tectonic plate movements. There are also undertones of sustainability and urban farming that are very intriguing to me.
These are rough ideas I'm just hashing out, stay tuned for more progress!
my window garden: watercress, basil, tomatoes, and succulents
I'm interested in the mediums plants can grow in, earth, air, and water. This species needs only a dish of water to thrive, and it's roots look like fish bones.
Inside my succulent terrarium, stonecrop and lithops
I'm collaborating with artist Jessica Schimpf with growing in glass vessels, both found and hand blown.
These are test orbs to determine how well different plants can grow in a non draining glass shape. They're planted with gravel and vermiculite to help regulate the soil moisture inside the vessel. Above are spider plants and standard lawn grass.
Above: Spoon Jade (E.T. Fingers) growing in soil.
Above: Spider Plant sprout growing directly in water. The roots will eventually fill the vessel.
I told myself I'd take a break from making things. Oops.
view my portfolio:
coroflot.com/savannaleigh
I'm starting work on a new series of glass planters. Normal yard grass in topsoil with gravel and vermiculite. I plan to make multiples on an installation scale.
Geologically speaking, Orogenesis is the tectonic process which creates mountains.
This sculpture is made from reclaimed shipping pallet wood: oak, cedar, and pine. The circling pattern builds to the peaks, evoking topography and geologic superposition via strata.
It's about 7' long and 4' tall.
Process.
The structure was built modularly; it is designed to break down into three parts for transport and reassembly. The two halves push together like tectonic plates.
Completion.
It is set on wheels, allowing it to move freely around the gallery. It is a moving mountain, a transforming landscape.
...
And once the show was over, this is what it looks like in my car.
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